Big Concerts confirmed today that Bryan Adams, one of the biggest selling music artists of all time is coming to South Africa in November 2023. The “So Happy It Hurts” tour kicks off in Cape Town on the 7 November 2023 at Grand Arena, GrandWest, and on 10 November at SunBet Arena, Time Square in Pretoria. Brought to you by 947, KFM, 702 and Cape Talk.
Bryan Adams has the reputation of being one of the most exciting live musicians in the world. His energetic vocals and stage presence have proven to entertain for over 40 years. With 17 studio albums, and four new studio albums in 2022 including, “So Happy It Hurts” (nominated for a Grammy) and “Pretty Woman – The Musical”. In addition to Classic pt. I and pt. II, which feature new recordings of his greatest hits, released digitally and in ATMOS with Platoon, are also available physically with BMG. His song writing has garnered him numerous awards and accolades including three Academy Award nominations, five Golden Globe nominations and a Grammy Award and 20 Juno Awards.
Bryan Adams will be playing in the USA, Japan, South Korea, Philippines, Singapore, Malaysia and Thailand, South Africa, and more, all in 2023.
Bryan Adams 2023 “So Happy It Hurts” Tour
Cape Town
7 November 2023
Grand Arena, GrandWest, Cape Town
Tickets are only available exclusively from Ticketmaster (www.ticketmaster.co.za) from 9 am Friday 21 April.
For complete tour and ticket information visit www.bigconcerts.co.za
Pretoria
10 November 2023
SunBet Arena, Time Square, Pretoria
Tickets are only available exclusively from Ticketmaster (www.ticketmaster.co.za) from 9 am Friday 21 April.
For complete tour and ticket information visit www.bigconcerts.co.za
Tickets go on sale at 09h00 on Friday 21 April exclusively from www.ticketmaster.co.za.
The Discovery Bank pre-sale begins at 09h00 on Wednesday 19 April from www.ticketmaster.co.za and will run until 08h59 on Friday, 21 April.
Important Note: Fans are strongly advised against purchasing tickets from Viagogo. These tickets are unlawfully resold by deceitful sellers for multiple times the face value and are not legitimate tickets. Should you purchase these tickets you will be denied entry into the venue, and you will not be entitled to a refund
[Submitted by Kevin Rademeyer]
The Counting Crows returned to our shores for the first time since 2008. The poignant delivery and mesmerizing vocals of Adam Duritz filled the SunBet Arena with a gentle yet powerful energy that left the 6000 crowd feeling enchanted.
Their songs shift something deep in your core. The night was the musical equivalent of chicken soup for the crowds 90s-music-loving soul, as Duritz’s soothing and at times haunting voice weaved through the old, the new, the nostalgic, the heartbreaking, the heart soaring and the best of the band’s catalogue.
Pretoria was the first of Counting Crows two South African concerts on their Butter Miracle tour. It was a tour that should have happened years ago, however was postponed due to Covid. The tour started in the USA and made its way through Asia and Europe before one last stop in Africa.
The country is in the midst of load shedding and Adam stated that two amps blew up during the sound check, however that didn't stop an amazing performance. From the first note to the last Duritz, guitarists Dan Vickrey, David Immerglück and David Bryson, keyboard player Charlie Gillingham, drummer Jim Bogios and bassist Millard Powers mesmerised the crowd.
Counting Crows are renowned for their energetic and passionate live shows and they offered nothing but their best as they performed for fans, most of whom have undoubtedly been fans since purchasing August and Everything After.
From Round Here, Duritz led the way through St Robinson, the crowd pleasing Mr Jones and a harrowingly beautiful rendition of Colourblind. It was non-stop - Durtiz and co focused more on moving seamlessly through the setlist than jabbering to the crowd between songs and we were spoilt with hits spanning all of their albums.
Adam stated that his girlfriend requested Butterfly in Reverse, to be put back onto the setlist even though she was on another continent, so he obliged. The chart topping cover of Joni Mitchell’s Big Yellow Taxii, Recovering the Satellites and a host of other top hits were performed before the new stuff - all four tracks from their 2021 EP Butter Miracle, Suite One. The Tall Grass, Elevator Books, Angel of 14th Street, Bobby and the Rat-Kings.
The piano came out and Adam performed the song everyone was waiting for, A Long December .Its poignant lyrics resonate deeply with many in the crowd. It’s a melancholic yet uplifting song about looking back on your life - but also looking forward. It’s about hanging in there. It’s about acknowledging the hardship but having faith that things will improve. “It’s been a long December, and there’s reason to believe, maybe this year will be better than the last,” sang Duritz. “I can’t remember all the times I tried to tell myself to hold on to these moments as they pass.”
The last song of the main list was Rain King, before an encore that had the crowd on its feet. It was a beautiful trifecta of Counting Crows genius - Omaha, Hanginaround and Holiday in Spain. To say the fans were enchanted last night, particularly by Duritz, is a dramatic understatement. From start to finish the show was absorbing, charming and delightful - quite frankly one of the most memorable concerts that have taken place at the Sunbet Arena.
The Counting Crows arrived on our shores compliments of Big Concerts.
Kevin Rademeyer
Media Manager
[Submitted by Kevin Rademeyer]
[Submitted by Kevin Rademeyer]
Ronan Keating has been back in South Africa over the past week to contribute to charitable causes, in conjunction with Citadel as well as to perform in Cape Town and Pretoria. Ronan performed at the Grand West Arena on the 3rd of March, which coincided with his birthday.
Citadel hosted their annual charity gala dinner with Keating and Gary Player at The Table Bay Hotel on Saturday 4 March 2023. After a performance by Keating and his band, Citadel Head of Philanthropy, Jean de Villiers, took to the stage to facilitate the charity auction.
The auction raised over R2.1 million. The proceeds will be managed and distributed by the Citadel Philanthropy Foundation. The beneficiaries are the Red Cross War Memorial Children’s Hospital in Cape Town and the Blair Atholl Pre-Primary School in Johannesburg.
“I’ve visited South Africa many times and, although it’s such a beautiful country, there are many challenges South African children face today and I care deeply about ensuring that cancer treatment is not one of them. I’m thankful to Gary Player and Citadel for supporting these efforts,” says Keating, who is well known for his cancer advocacy and relationship with the Oncology Unit at the Red Cross War Memorial Children’s Hospital
This Citadel event began in 2018 and was inspired by the loss of Keating and Player’s mothers to cancer. Both their moms were passionate about giving back. Since then, this event has raised R7.1 million in total.
On Sunday the 5th of March he performed at the Sunbet Arena in Pretoria in front of 5000 excited fans. The aim was to play hos greatest hits as well as to showcase the release of his lockdown albums, Twenty Twenty and Songs From Home.
As the lead singer with one of the biggest ever Irish boy bands, he needed no introduction. Accompanied by a five piece band, when he walked on to the stage dressed in a grey suit, the screams from the predominantly female crowd were deafening.
Despite the Dublin singer ( although he now lives in London) promising all of his hits, he did open the proceedings with new song Heyday, but after that he certainly delivered. Lovin’ Each Day induced the evening’s first sing along and with everyone on their feet where they remained for the entire evening; he followed it up with Isn’t It A Wonder.
Slowing things right down for a cover of Tracey Chapman’s Baby Can I Hold You, the Bee Gees’ Words and Anne Murray’s You Needed Me, the crowd swayed, arms aloft as they sung every word right back at him.
The set list was peppered with classic hits from his Boyzone catalogue, such as No Matter What, One More Song and Picture Of You, which took the crowd on a trip down memory lane. With record sales declining, Keating is undoubtedly a great live entertainer, and with his soft Irish lilt, he had the crowd hanging on his every word. And when he launched into When The Going Gets Tough and set closer Life Is A Rollercoaster, he was rewarded with a well earned standing ovation.
We cant wait to see him next year, like he promised.
[Submitted by Kevin Rademeyer]
Big Concerts confirmed today that due to exceptional demand, two new dates have been added to the Backstreet Boys South African tour. The new dates are 17 May at the Grand Arena, GrandWest and 20 May at the SunBet Arena, Time Square. Brought to you by 947 and KFM.
The band also released the first episode of their new docu series Making Of The DNA Tour, giving fans an inside look of the preparation for their highly-anticipated world tour – watch it here! Additional episodes will be available on The Backstreet Boys YouTube channel.
For 29 years the Backstreet Boys have delivered the finest pop music one has to offer, making them one of pop’s most influential performers. With countless #1s, record-setting tours, numerous awards and worldwide sales in excess of 130 million, BSB has been recognized as the best-selling boy band in history.
In early 2019, BSB released their GRAMMY nominated 10th studio album “DNA” on RCA Records. The album debuted at #1 and features the Top 10 hit “Don’t Go Breaking My Heart.” The critically acclaimed and chart topping single was nominated for the “Pop Duo / Group Performance” 2019 GRAMMY, and was BSB’s first hit on the Billboard Hot 100 in 10 years. Upon its release, the single went straight to #1 on iTunes Top Songs and Global charts and charted in over 22 countries.
In May 2019 the Backstreet Boys kicked off “The DNA World Tour” - the group’s biggest arena tour in 18 years thanks to the global success of their #1 new album. The DNA World Tour has seen the group sell out arenas all over North America, Europe, Asia and South America.
Over the years, the Backstreet Boys have continually captivated millions of people with their impressive catalogue of hit songs and creative partnerships.
Backstreet Boys “DNA World Tour” 2023
Cape Town
16 May 2023 – SOLD OUT
17 May 2023 – NEW DATE ADDED
Grand Arena, GrandWest, Cape Town
Tickets are only available exclusively from Ticketmaster (www.ticketmaster.co.za) from 9 am Friday 24 February.
For complete tour and ticket information visit www.bigconcerts.co.za
Pretoria
19 May 2023– SOLD OUT
20 May 2023 – NEW DATE ADDED
SunBet Arena, Time Square, Pretoria
Tickets are only available exclusively from Ticketmaster (www.ticketmaster.co.za) from 9 am Friday 24 February.
For complete tour and ticket information visit www.bigconcerts.co.za
[Submitted by Kevin Rademeyer]
Big Concerts confirmed today that Backstreet Boys, one of the best-selling bands of all time will be coming to South Africa for the first time. The DNA World Tour kicks off in Cape Town on 16 May at Grand Arena, GrandWest, and on 19 May at SunBet Arena, Time Square in Pretoria. Brought to you by 947 and KFM.
The DNA World Tour will go on sale at 09h00 on Friday 24th February exclusively from www.ticketmaster.co.za.
The Discovery Bank pre-sale begins at 09h00 on Wednesday 22 February from www.ticketmaster.co.za and will run until 08h59 on Friday, 24 February.
Important Note: Fans are strongly advised against purchasing tickets from Viagogo. These tickets are unlawfully resold by deceitful sellers for multiple times the face value and are not legitimate tickets. Should you purchase these tickets you will be denied entry into the venue and you will not be entitled to a refund.
For complete tour and ticket information visit www.bigconcerts.co.za.
Photo Credit: Dennis Leapold.
The band also released the first episode of their new docu series Making Of The DNA Tour, giving fans an inside look of the preparation for their highly-anticipated world tour – watch it here! Additional episodes will be available on The Backstreet Boys YouTube channel.
For 29 years the Backstreet Boys have delivered the finest pop music one has to offer, making them one of pop’s most influential performers. With countless #1s, record-setting tours, numerous awards and worldwide sales in excess of 130 million, BSB has been recognized as the best-selling boy band in history.
In early 2019, BSB released their GRAMMY nominated 10th studio album “DNA” on RCA Records. The album debuted at #1 and features the Top 10 hit “Don’t Go Breaking My Heart.” The critically acclaimed and chart topping single was nominated for the “Pop Duo / Group Performance” 2019 GRAMMY, and was BSB’s first hit on the Billboard Hot 100 in 10 years. Upon its release, the single went straight to #1 on iTunes Top Songs and Global charts and charted in over 22 countries.
In May 2019 the Backstreet Boys kicked off “The DNA World Tour” - the group’s biggest arena tour in 18 years thanks to the global success of their #1 new album. The DNA World Tour has seen the group sell out arenas all over North America, Europe, Asia and South America.
Over the years, the Backstreet Boys have continually captivated millions of people with their impressive catalogue of hit songs and creative partnerships.
Backstreet Boys “DNA World Tour” 2023
Cape Town
16 May 2023
Grand Arena, GrandWest, Cape Town
Tickets are only available exclusively from Ticketmaster (www.ticketmaster.co.za) from 9 am Friday 24 February.
For complete tour and ticket information visit www.bigconcerts.co.za
Pretoria
19 May 2023
SunBet Arena, Time Square, Pretoria
Tickets are only available exclusively from Ticketmaster (www.ticketmaster.co.za) from 9 am Friday 24 February.
For complete tour and ticket information visit www.bigconcerts.co.za
MEDIA MANAGER
KEVIN RADEMEYER
[Submitted by Kevin Rademeyer]
Sting, finally reached the South African shores after more than a decade of absence, for his "My Songs" tour. He spent two nights in the beautiful Cape and two nights in the capital city.
Following a short opening set by his son, accomplished guitarist Joe Sumner—whose earnest songs of love and loss are cut, though not as infectiously, from his father’s cloth—Sting appeared promptly with five musicians and a pair of backup singer-dancers for a tight and explorative set of more than 40 years’ worth of material. An improbably fit septuagenarian, Sting’s voice hasn’t aged a millisecond, as immediately evident on Police pop nuggets like “Every Little Thing She Does is Magic,” riveting solo cuts such as “An Englishman in New York,” and the evocative favorite “Fields of Gold.”
A projection screen positioned horizontally above the stage ran video and graphics pertinent to the songs’ atmospheres—typewriter keys and crashing waves for “Message in a Bottle”; dice, chips and cards for the gambling-themed “Shape of My Heart”—while the carefully tailored lighting rig splashed crisscrossing beams, often blue, gold or red over the sold-out crowd.
The structure of Sting’s set list was that of an upside-down bell curve, with a flurry of hits at the top, a parade of favorites at the end, and a rather sagging middle comprised of deep cuts and new selections from his 2021 release The Bridge, written during quarantine. “I’m going to play some new songs; I’m sorry,” he said, perhaps tongue-in-cheekily but sort of accurately, as this mostly unfamiliar segment of the show allowed many to refresh their drinks and empty their bladders.
The best tune in this mini-set, “If It’s Love,” featured a whistled intro and inviting, handclap percussion; the weakest, “For Her Love,” seemed to die on the vine. I could have done without “I’m So Happy I Can’t Stop Crying,” one of the singer’s ill-fated dalliances with country music, though at least “I Hung My Head,” another western-tinged composition, conjured one of Bob Dylan’s ‘80s-era story-songs.
And then it was off to the races, as Sting and his top-shelf musicians performed a string of hits as formidable as any modern songwriter’s discography, from the swaggering, shimmering “Brand New Day” to a particularly lush rendition of “Wrapped Around Your Finger,” with virtual candle flames flickering on the projection screen.
Having long ascended from new-wave rebel to adult-contemporary institution, Sting has spongily absorbed at least a half-dozen disparate and far-flung genres, all of which came to the fore during the concert’s most thrilling moments: the blue-eyed soul of “If You Love Somebody Set Them Free,” the North African mantra “Desert Rain,” the jaunty reggae of “Walking on the Moon,” the simplicity of " Every breathe you take".
In one of the show’s most communal sing-alongs, “So Lonely” included a snippet of the Jamaican classic “Everything’s Gonna Be Alright,” while “King of Pain” sent us off with an anthemic, Springsteen-esque rock outro. “Roxanne” even featured a gospel call-and-response and a swing-music nod to Duke Ellington’s “It Don’t Mean a Thing.”
Sting left us with "Fragile" which was dedicated to Ukraine, The Russians standing up against teh war and the woman of Iran. It was a chance to exhale and decompress, heading to our cars or, if we were feeling lucky, to the tables and slots, in a state of zen. We hope he doesnt stay away for another 11 years.
[Submitted by Kevin Rademeyer]
Sting, finally reached the South African shores after more than a decade of absence, for his "My Songs" tour. He spent two nights in the beautiful Cape and two nights in the capital city.
Following a short opening set by his son, accomplished guitarist Joe Sumner—whose earnest songs of love and loss are cut, though not as infectiously, from his father’s cloth—Sting appeared promptly with five musicians and a pair of backup singer-dancers for a tight and explorative set of more than 40 years’ worth of material. An improbably fit septuagenarian, Sting’s voice hasn’t aged a millisecond, as immediately evident on Police pop nuggets like “Every Little Thing She Does is Magic,” riveting solo cuts such as “An Englishman in New York,” and the evocative favorite “Fields of Gold.”
A projection screen positioned horizontally above the stage ran video and graphics pertinent to the songs’ atmospheres—typewriter keys and crashing waves for “Message in a Bottle”; dice, chips and cards for the gambling-themed “Shape of My Heart”—while the carefully tailored lighting rig splashed crisscrossing beams, often blue, gold or red over the sold-out crowd.
The structure of Sting’s set list was that of an upside-down bell curve, with a flurry of hits at the top, a parade of favorites at the end, and a rather sagging middle comprised of deep cuts and new selections from his 2021 release The Bridge, written during quarantine. “I’m going to play some new songs; I’m sorry,” he said, perhaps tongue-in-cheekily but sort of accurately, as this mostly unfamiliar segment of the show allowed many to refresh their drinks and empty their bladders.
The best tune in this mini-set, “If It’s Love,” featured a whistled intro and inviting, handclap percussion; the weakest, “For Her Love,” seemed to die on the vine. I could have done without “I’m So Happy I Can’t Stop Crying,” one of the singer’s ill-fated dalliances with country music, though at least “I Hung My Head,” another western-tinged composition, conjured one of Bob Dylan’s ‘80s-era story-songs.
And then it was off to the races, as Sting and his top-shelf musicians performed a string of hits as formidable as any modern songwriter’s discography, from the swaggering, shimmering “Brand New Day” to a particularly lush rendition of “Wrapped Around Your Finger,” with virtual candle flames flickering on the projection screen.
Having long ascended from new-wave rebel to adult-contemporary institution, Sting has spongily absorbed at least a half-dozen disparate and far-flung genres, all of which came to the fore during the concert’s most thrilling moments: the blue-eyed soul of “If You Love Somebody Set Them Free,” the North African mantra “Desert Rain,” the jaunty reggae of “Walking on the Moon,” the simplicity of " Every breathe you take".
In one of the show’s most communal sing-alongs, “So Lonely” included a snippet of the Jamaican classic “Everything’s Gonna Be Alright,” while “King of Pain” sent us off with an anthemic, Springsteen-esque rock outro. “Roxanne” even featured a gospel call-and-response and a swing-music nod to Duke Ellington’s “It Don’t Mean a Thing.”
Sting left us with "Fragile" which was dedicated to Ukraine, The Russians standing up against teh war and the woman of Iran. It was a chance to exhale and decompress, heading to our cars or, if we were feeling lucky, to the tables and slots, in a state of zen. We hope he doesnt stay away for another 11 years.
[Submitted by Kevin Rademeyer]
Smokie returned to the shores of South Africa for their 12th tour to the Republic.
Stops included the Grand West Arena, Carnival City as well as the SunBet Arena in Pretoria.
Pretoria was packed with about 7000 spectators, who waited over two years to watch the concert, as it was postponed twice by Covid restrictions. The wait was worth it as the band went through their repertoire of greatest hits and cover songs.
It was great to have Smokie on our shores again after so many years. To be rock 'n' roll survivors is an achievement. To be Europe's top live band, forty-three years after its inception is truly fantastic; but to still be enthusiastic, fresh, totally committed and in love with the music is a positive miracle. Smokie has undergone a series of changes over the years without losing the essence of the band, and the youngest group seems to be the strongest ever: Pete Lincoln (lead singer, guitar), Luke Bullard (backing vocals, bass guitar), Mick McConnell (backing vocals, lead guitarist), Martin Bullard (keyboards) and Steve Pinnell (drums and percussion).
It was extremely surprising to see so many teenager's and young child attend the concert. They were out of their seats and dancing for the majority of the time. It was another great event by Lefra Productions and we cant wait to see who they bring next.
[Submitted by Kevin Rademeyer]
Big Concerts International confirmed today that UB40 will be returning to South Africa in 2023. They will be performing in Cape Town on 30 May at Grand Arena, GrandWest, Durban on 1 June at the Durban ICC, and on 3 June at SunBet Arena, Time Square in Pretoria
The Discovery Bank pre-sale for the South Africa dates begin Wednesday 7 December at 9:00 AM local time through to Friday 9 December at 8:59 AM from www.ticketmaster.co.za. Sign up for your Discovery Bank Card today and get tickets to the biggest concerts before everyone else with Discovery Bank.
Tickets go on sale to the general public starting Friday 9 December at 9:00 AM local time from www.ticketmaster.co.za.
UB40 Featuring Ali Campbell will add another chapter to a story that began in the Birmingham suburb of Moseley in 1979 when UB40, taking their name from the form given to individuals claiming unemployment benefit, started putting an indigenous British slant on Jamaican reggae. After reaching number four in the charts with King / Food For Thought, the multi-racial band released their debut album Signing Off in 1980. During their career they have sold in excess of 70 million records and topped the UK singles chart on three occasions – with Red Red Wine in 1983; I Got You Babe (a duet between Ali and Pretenders singer and long-standing UB40 champion Chrissie Hynde) in 1985; and (I Can't Help) Falling In Love With You in 1993. Two of those hits, Red Red Wine and (I Can't Help) Falling In Love With You, also went to number one in the USA. Lead singer Ali Campbell joined Birmingham singer and toaster Pato Banton to top the UK charts again with Baby Come Back in 1994. Paying homage to the songs that inspired them, UB40 also released three volumes of the Labour Of Love series, covering Jamaican standards such as Eric Donaldson's Cherry Oh Baby and Lord Creator's Kingston Town.
Ali is joined by his incredible 9-piece band and will be honouring long time member Astro who sadly passed in 2021. Whilst a handful of songs from the forthcoming album will feature alongside favourites from the Labour Of Love series, Ali is keen to include older numbers such as King (about the legacy of American Civil Rights leader Martin Luther King) and One In Ten (about unemployment in the UK) that are, unfortunately, as timely today as when they were first sung in 1980 and 1981.
'We put King back into the set because it's so bloody appropriate,' says Ali. 'We wrote it 40 years ago, but it's still representative of what’s happening in America. It's depressing that nothing has changed. It's the same with One In Ten in the UK. With the impact the coronavirus had on jobs, we could soon be looking at unemployment figures on a par with the early Eighties.” Those songs will feature in a show we've been honing for the past 12 years.
‘We'll always play the classics, like Red Red Wine and (I Can't Help) Falling In Love With You, but we like to change the beginning and end of the show. We'll play Lean On Me and maybe add three or four new songs. The band members are all fantastic musicians and we've climbed back up to the biggest venues in the past 12 years.'
“UB40 FEATURING ALI CAMPBELL”
South Africa 2023 Dates
30 May 2023 Grand Arena, GrandWest, Cape Town
1 June 2023 Durban ICC, Durban
3 June 2023 Sunbet Arena, Times Square, Pretoria
South Africa PR Contact: Dionne Domyan-Mudie | +27 (0) 833261776 | @
TOUR INFORMATION:
Cape Town
Tuesday 30 May 2023
Grand Arena, GrandWest, Cape Town
Tickets are available from www.ticketmaster.co.za from 9 AM (SAST), Friday 9 December 2022
Durban
Thursday 1 June 2023
Durban ICC, Durban
Tickets are available from www.ticketmaster.co.za from 9 AM (SAST), Friday 9 December 2022
Pretoria
Saturday 3 June 2023
SunBet Arena, Time Square, Pretoria
Tickets are available from www.ticketmaster.co.za from 9 AM (SAST), Friday 9 December 2022
For complete tour and ticket information visit www.bigconcerts.co.za.
[Submitted by Kevin Rademeyer]
South African concert-goers often get left out when artists announce dates for their “world tours”, but that’s not the case for OneRepublic, which used the opportunity to grace our shores this past week, thanks to Big Concerts and Time Square Casino.
The Grammy-nominated band, known for their magical stage presence, flashing visuals, and guitarists who strut their stuff across the stage, performed on 15 November at Cape Town’s Grand Arena and at the SunBet Arena in Pretoria on 18 and 19 November.
OneRepublic consists of singer/songwriter and lead vocalist Ryan Tedder, guitarists Zach Filkins and Drew Brown, bassist and cellist Brent Kutzle, keys player Brian Willett and drummer Eddie Fisher. They are behind foot-tapping hits such as Counting Stars, the buttery feel-good summer anthem, Good Life, and their first 2005 hit, Apologize featuring Timbaland. OneRepublic had humble beginnings in the early 2000s on MySpace, but remains relevant today with 48 million monthly Spotify listeners and features the song I Ain’t Worried on the soundtrack of Top Gun: Maverick (2022).
The November tour was the band’s first since 2016, which the band’s frontman, Ryan Tedder, has credited to mental health struggles in a 2017 Facebook post shortly after the release of the Oh My My LP. This led to Tedder pausing the band’s promotion of this campaign as he “hit a physical, emotional, psychological wall”.
“I was on the verge of a nervous breakdown, not sleeping, on meds, not happy, anxiety on a crippling level and it was triggered from sheer exhaustion,” Tedder wrote. “I looked at a calendar, realised I had been gone 200 days of 2016 and still had three more weeks of being gone from my family, my wife, my kids, my friends. Basically my life.
“At the time we had a tour planned for the US in February, straight into Europe and then the rest of the world. We were gonna be gone again, for ages. The thought of it literally sent me into a sweat and made me feel like I was going to have a heart attack
OneRepublic wowed the crowds with their greatest hits including Stop and Stare, Good Life , Apologize and Run. They also took 12 minutes to sing Halo, Bleeding Love and a host of other songs that were written by lead sing Ryan Tedder.
We can not wait for OneRepublic to return to our shores soon.
[Submitted by Kevin Rademeyer]
